Ebook
An engaging, illuminating group biography of the photographers of the seminal West Coast movement-the first in-depth book on Group f.64.
Group f.64 is perhaps the most famous movement in the history of photography, counting among its members Ansel Adams, Imogen Cunningham, Dorothea Lange, Willard Van Dyke, and Edward Weston. Revolutionary in their day, Group f.64 was one of the first modern art movements equally defined by women. From the San Francisco Bay Area, its influence extended internationally, contributing significantly to the recognition of photography as a fine art.
The group-first identified as such in a 1932 exhibition-was comprised of strongly individualist artists, brought together by a common philosophy, and held together in a tangle of dynamic relationships. They shared a conviction that photography must emphasize its unique capabilities-those that distinguished it from other arts-in order to establish the medium's identity. Their name, f.64, they took from a very small lens aperture used with their large format cameras, a pinprick that allowed them to capture the greatest possible depth of field in their lustrous, sharply detailed prints. In today's digital world, these “straight” photography champions are increasingly revered.
Mary Alinder is uniquely positioned to write this first group biography. A former assistant to Ansel Adams, she knew most of the artists featured. Just as importantly, she understands the art. Featuring fifty photographs by and of its members, Group f.64 details a transformative period in art with narrative flair.
An engaging, illuminating group biography of the photographers of the seminal West Coast movement-the first in-depth book on Group f.64.
F.64 exhibition at San Francisco's de Young Museum to launch simultaneous with publication-- the museum where the show that first defined the group debuted
In an iPhone-photography age, not dinosaurs, but lions: Just a week prior to the writing of this tip sheet, the Washington Post ran a trend story about the so-called "slow photo" movement -- a resurgence of interest in film and traditional photography equipment and techniques.
Unique author: Alinder has a unique perspective and great personal stories to tell -- the perfect promoter for this book.
Iconic Americana: As with, say, Mathew Brady, many of the photographs that came out of f.64 are instantly recognizable -- even of the lesser-known photographers. 50 are included here.
Transformative moment: Group f.64 was one of the first art movements to arise from the West Coast driven by pioneering women artists.
A loving, minutely researched portrait of the photographer that acknowledges his humanity while confirming his enormous artistic contribution.
Ms. Alinder ably chronicles Adams's esthetic breakthroughs and career moves.
Mary Street Alinder is an independent scholar specializing in twentieth-century photography. From 1979 until his death, Alinder was chief assistant to Ansel Adams. She worked closely with him on his bestselling autobiography, which she completed posthumously. She also coedited a volume of his letters and published the definitive biography, recently revised and updated in a new edition. In addition to her writings, Alinder has curated exhibitions worldwide, including the 1987 Adams blockbuster at the de Young Museum and a 2002 Adams Centennial exhibition. Alinder has lectured internationally, from Washington, DC's National Gallery to London's Barbican Centre and China's Shanghai Cultural Center. She lives in Northern California.