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Global Cinema Studies in Landscape Allegory

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Overview

Global Cinema Studies in Landscape Allegory explores the narrative and stylistic approaches to imbuing natural settings in audiovisual media with a psychological dimension – or, in other words, configuring a ‘landscape’ to function beyond its typical role as a backdrop – and the cultural contexts for this aesthetic impulse. Contributors argue that while audiovisual allegory can be understood as inherently avant-garde, certain kinds of stories – and the ways in which they are presented – can be categorized as a ‘landscape allegory.’ Focusing on the idea of a ‘landscape’ in the most concrete and literal form, contributions drawing from a global spectrum of cultural contexts work toward establishing a fuller and more culturally diverse understanding of landscape allegory in cinema.

Introduction

David Melbye

Chapter One: Vacation Landscapes and Interpersonal Crisis in Argentine Film

Rocío Gordon

Chapter Two: Landscapes of Loss and Guilt in Post-Socialist Hungarian and Romanian Cinema

Hajnal Király

Chapter Three: Allegorizing Socialist China: Landscape in Chung Kuo, Cina and A Brilliant Spectacle

Sabrina Y. Tao

Chapter Four: An Alternative Sublime: Filming a Contemporary Gold Rush at The Top of The World

Filipa Rosário

Chapter Five: Landscape Allegory in Nacer Khemir’s Desert Trilogy

Ebrahim Barzegar & Fatemeh Gholami

Chapter Six: High Ground, Level Ground, and Underground: Dynamics of the Colonized Australian Landscape

Susan Barber

Chapter Seven: Emergence of the Cinematographer: Landscape Allegory in Soviet Thaw Films

David Melbye

About the Editor and Contributors

David Melbye is currently a UKRI/Marie Skłodowska-Curie Actions senior research fellow in the Department of Music and Design Arts at the University of Huddersfield.

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