Ebook
Global Cinema Studies in Landscape Allegory explores the narrative and stylistic approaches to imbuing natural settings in audiovisual media with a psychological dimension – or, in other words, configuring a ‘landscape’ to function beyond its typical role as a backdrop – and the cultural contexts for this aesthetic impulse. Contributors argue that while audiovisual allegory can be understood as inherently avant-garde, certain kinds of stories – and the ways in which they are presented – can be categorized as a ‘landscape allegory.’ Focusing on the idea of a ‘landscape’ in the most concrete and literal form, contributions drawing from a global spectrum of cultural contexts work toward establishing a fuller and more culturally diverse understanding of landscape allegory in cinema.
Introduction
David Melbye
Chapter One: Vacation Landscapes and Interpersonal Crisis in Argentine Film
Rocío Gordon
Chapter Two: Landscapes of Loss and Guilt in Post-Socialist Hungarian and Romanian Cinema
Hajnal Király
Chapter Three: Allegorizing Socialist China: Landscape in Chung Kuo, Cina and A Brilliant Spectacle
Sabrina Y. Tao
Chapter Four: An Alternative Sublime: Filming a Contemporary Gold Rush at The Top of The World
Filipa Rosário
Chapter Five: Landscape Allegory in Nacer Khemir’s Desert Trilogy
Ebrahim Barzegar & Fatemeh Gholami
Chapter Six: High Ground, Level Ground, and Underground: Dynamics of the Colonized Australian Landscape
Susan Barber
Chapter Seven: Emergence of the Cinematographer: Landscape Allegory in Soviet Thaw Films
David Melbye
About the Editor and Contributors
David Melbye is currently a UKRI/Marie Skłodowska-Curie Actions senior research fellow in the Department of Music and Design Arts at the University of Huddersfield.